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Orienteer

Orienteer

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Orienteer Issue 9

For Orienteer Magazine Issue 9 we focussed on the concept of ‘Circadian Rhythm’ exploring folktales from Stone Circles to Die De los Muertos intertwined with fashion editorials juxtaposing darkness and light. With a balanced duality throughout, journey through the lens of documentary and fashion photographers alike. Presenting a 400+ page magazine paired with our traditional foldout concertina map inside every issue sees a future direction for Orienteer pushing print media in perpetuity.  Continuing from Issue 8, Orienteer focusses on a new spot UV colour ‘Purple’ which can be seen throughout the magazine. Keeping our recognisable raised logo print on the cover. The 18th represents for Fofana the new — and maybe real — France; Design and art movements in and around the base of Montmartre are contextualised historically, as the area has been for over a century the locale of many of Paris’ creative community. Fofana calls upon many creatives and collaborators and who have spent time in and around the Goutte D’Or neighbourhood, including artists, photographers, designers, musicians, athletes, chefs, historians and entrepreneurs.

COVER 1-ANTIPODE

Orienteer Magazine Issue 9 ‘Circadian Rhythm’ presents ‘Antipode’, a menswear editorial with guest fashion editor David Hellqvist and Photographer Rory Griffin. A

COVER 2-3rd MAN EFFECT

3rd Man Effect is a phenomenon that refers to the simulated effect that a party of two might experience when being out in the mountains at high altitude for a prolonged period of time. Numerous cases of this are reported when two mountaineers believe they are with a third person. With styling that references the origins of mountaineering, celebrates natural fibres and their technical capabilities in a world where synthetic dominates the industry.

Nature Affinity references the innate human connection to nature and animals. This womenswear special celebrates London-based designers Laura & Deanna Fanning for KikoKostadinov, set against the quintessential English countryside amongst farm animals and rolling green hills, highlighting Orienteer’s personal connection to nature through Renaissance-esque imagery.

The magazine blends outdoor exploration with fashion and lifestyle, adopting a unique fold-out format reminiscent of an Ordnance Survey map. Each issue explores themes such as urban exploration, outdoor gear, and the intersection of fashion and function in the natural world.

 

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